Although it’s fun to photograph the Full Moon, I actually prefer photographing a thin crescent Moon, usually just a day or two after the New Moon. The thin crescent is brightly lit while the remainder is softly lit by light reflected by Earth, hence known as Earthshine. It’s also known as DaVinci Glow. As well, the Moon does not overwhelm the night sky so that stars can also be in the photograph.
During late Spring and into early Summer the crescent Moon sets in the west-northwest and this makes it a good target for shooting at Upper Lake Mary. The long and narrow lake is aligned WNW–ESE so that the Moon casts a brilliant reflection that can run the length of the lake.
I’ve shot this several times over the last few years but never tire of it. All it requires is enough of a gap in the clouds for the Moon to shine and for light winds so that the lake surface is relatively smooth.
During the first few days of April 2020 the planet Venus moved towards and then through the Pleiades star cluster. Venus and Pleiades have a conjunction every year but every eight years the conjunction is at its closest. This year, Venus moved right through the star cluster.
I shot images of Venus and Pleiades on three nights: 01 April, 03 April, and 05 April. Venus and Pleiades were closest on the night of 03 April. I then did a composite image of the three nights showing the progression of Venus past the star cluster. These were all shot at 8 seconds, ƒ/4, 180mm, and ISO 800.
Additionally, I overlaid another image taken 13 February 2020. This is a stacked composite with 11 images shot at 120 seconds, ƒ/4, 180mm, and ISO 1600. The images were stacked using Starry Sky Stacker. The stack was then post-processed using rnc_color_stretch. This composite image was used because it shows the nebulosity and color within the Pleiades better than the shorter exposures captured that show the motion of Venus.
The image above shows the composite from the three nights without the additional layer showing the nebulosity.
A winter storm brought snow, clouds, and fog to some of my favorite photographic locations. The early morning sun lights up a band of clouds that encircles the San Francisco Peak. Below the peaks, fog lies in the low areas of both Upper and Lower Lake Mary.
A smaller area of fog sits in the corner of the Mormon Lake basin and partially obscures some of the old ranch buildings.
Finally, a small patch of grass pokes up from the still water of Lake Mary while fog blurs the background.
For several weeks the planets Mars, Jupiter, and Saturn have been visible in the same portion of the morning sky. These are all bright and easily visible even during twilight hours. Nestled in between these bright planets lies the minor planet Pluto.
So I thought it would be interesting to photograph Pluto. Pluto is much too faint (currently Mag. 14.3) for me to find with my camera/lens setup. However, Pluto and Mars passed very close to each other (~10 arc minutes, or less than the diameter of the Moon) on 23 March 2020 making it easier to find one based on the location of the other. Clouds forced me to shoot this image a day later on 24 March 2020, when they were farther apart.
I used Stellarium as a guide to hopping from one star to another—comparing the photographs with Stellarium star charts—until I finally located Pluto. As a magnitude 14.3 object, this was near the limit of what could be resolved with my Nikon 180mm AI-s ƒ/2.8 lens shot wide open.
Images were shot at ƒ/2.8, ISO 1600, and 30s. The best images were stacked to reduce noise. Post processing included large values of Unsharpen Mask to help sharpen the dimmest stars and Pluto—with the undesired side effect of creating halos around the brighter stars.
Check the video to see how much Mars moves in just 15 minutes.
I was able to capture four planets in the morning sky. In the previous post, I was able to capture four planets in the evening sky. It was a challengin project that I wanted to do and have now completed.
Maybe I should get a telescope.
Oh, one final point. Once again I was photo-bombed by a cluster of Starlink satellites. Sadly, the day is coming soon when night photography will be very difficult because of these satellites.
The past few weeks have offered numerous opportunities for photographing objects in the twilight and night sky.
Above is a photograph showing the planets Venus (visible near the top of the image) and Mercury (located just below the center of the image). The glow of evening twilight on the horizon is reflected in the shallow waters of Mormon Lake.
Taken later on the same evening is a photograph showing four planets and an asteroid in a single frame. This was taken with a 24mm focal length lens to capture these solar system objects (SSO). I did this as a fun test to see if a wide-angle lens was able to capture these dim and distant SSOs. From top to bottom are the asteroid Vesta, Uranus, Venus, Neptune, and Mercury.
Zoomed-in crops (below) show the dimmer objects that are in the image above.
Before leaving that night I did a final wide-angle shot of the southeastern sky which included the constellation Orion as well as a portion of the winter Milky Way.
The following night I was out again to test my recently purchased Nikon 180mm ƒ/2.8 ED AIS manual focus lens. A few previous tests have shown that star images are pretty good at an aperture of ƒ/2.8 but much better at ƒ/4. At ƒ/2.8 there is just a hint of star spikes; at ƒ/4 they are quite prominent. This is a stacked sequence of images of the Pleiades star cluster. Image stacking was done with Starry Sky Stacker; histogram stretching was done with rnc-color-stretch.
On 18 February there was a Lunar occultation of the planet Mars. I had planned to get up early and drive to a dark location but an alarm failure meant I barely had time to get up and set up the gear on the rear deck of the house to start the sequence. Luckily, Flagstaff is a Dark Sky City and it was dark enough to get the shots. This is a sequence from just a few minutes before the Moon moved in front of Mars followed by a longer sequence after it reappeared.
Finally, Comet C/2019 Y4 (ATLAS) is in the northern sky making it an easy target—except that it is still very dim with a magnitude of about +12 at the time of this image. The still image is a stack of 49 images each 120 seconds duration at ISO 1600, 180mm, and ƒ/2.8. As noted above this lens is pretty good at ƒ/2.8 but better at ƒ/4. Because the comet is so dim I wanted the maximum light gathering ability so settled for an aperture of ƒ/2.8. Also in the image is M97 (“Owl Nebula”) and M108 (“Surfboard Galaxy”). The star Merak is part of the “Big Dipper.”
Also, there is an animation—made from the same images—showing the movement of the comet over a period of just under 2 hours.