Although it’s fun to photograph the Full Moon, I actually prefer photographing a thin crescent Moon, usually just a day or two after the New Moon. The thin crescent is brightly lit while the remainder is softly lit by light reflected by Earth, hence known as Earthshine. It’s also known as DaVinci Glow. As well, the Moon does not overwhelm the night sky so that stars can also be in the photograph.
During late Spring and into early Summer the crescent Moon sets in the west-northwest and this makes it a good target for shooting at Upper Lake Mary. The long and narrow lake is aligned WNW–ESE so that the Moon casts a brilliant reflection that can run the length of the lake.
I’ve shot this several times over the last few years but never tire of it. All it requires is enough of a gap in the clouds for the Moon to shine and for light winds so that the lake surface is relatively smooth.
A winter storm brought snow, clouds, and fog to some of my favorite photographic locations. The early morning sun lights up a band of clouds that encircles the San Francisco Peak. Below the peaks, fog lies in the low areas of both Upper and Lower Lake Mary.
A smaller area of fog sits in the corner of the Mormon Lake basin and partially obscures some of the old ranch buildings.
Finally, a small patch of grass pokes up from the still water of Lake Mary while fog blurs the background.
It’s been an unusual monsoon season across Arizona this year. After both a wet winter and wet spring—with above normal precipitation amounts all the way into the month of May—things went dry. The North American Monsoon started late this year with the first significant rainfall not arriving until the second half of July. This was unfortunate as the dryness partially contributed to a very damaging wildfire (Museum Fire) burning across portions of the San Francisco Peaks.
Just a few days later, the rains finally arrived. And, then, they stopped again. And it has been that way much of this monsoon season. A few days of rain, then a week or more of dry weather. A normal pattern would have rain falling perhaps four days out of seven for a two-month period. Folks around here have dubbed this monsoon the “nonsoon”.
And, of course, with the lack of moisture and thunderstorms opportunities for photographing storms, heavy rain, lightning, and sunsets has been a challenge. But it only takes one great photograph to make it a successful season. I’m still trying to get that photograph.
Here are some of the more interesting photographs from this “nonsoon monsoon” season.
And so it begins. The North American Monsoon has begun with many thunderstorms but not much rain. As a result, lightning-sparked wildfires are a possibility.
Just by chance, I was heading out towards Mormon Lake this morning to capture images of the building thunderstorms over the San Francisco Peaks. I had noticed that the early buildups had some interesting structure—a combination of convective vertical growth as well as some laminar wave clouds.
As I drove towards Upper Lake Mary I saw a small plume of smoke from a wildfire. Moments later, I spotted a helicopter dropping water on the fire.
Fortunately, the fire was a very short distance from the lake allowing multiple passes in quick succession.
The recent increase in moisture and a slight cooling of temperatures that we’ve experienced over the past few days will result in good chances of quickly containing this wildfire.
The lightning map for 07 July 2018 shows plenty of lightning across the higher terrain—so it’s likely this fire was caused by lightning.
The past two weeks have offered several opportunities for photographing the moon in the evening sky. Beginning on May 16, we had a crescent Moon with just 3.7% of the disk illuminated by the sun. During the months of May, June, and July, the thin crescent Moon lines up with the long axis of Upper Lake Mary. This results in nice reflections of the Moon on the waters of the lake—but only if there is little or no wind. The first two images were taken in the early evening with some reflections over portions of the lake. The image also shows the unlit part of the crescent Moon illuminated with Earthshine, also known as Da Vinci Glow. Yes, that Leonardo Da Vinci. Quite an amazing bit of scientific deduction on his part.
The following evening the Moon was located near the planet Venus. Capturing both of these objects and getting reflections in the water was a bit more difficult as they were higher in the sky.
Next up was the day-before-the-full-Moon in Sedona. Using The Photographers Ephemeris it’s not very difficult to determine at what time and in which location to find the Moon rising between the spires of Cathedral Rock. I’ve done this shot before but never get tired of traveling to Sedona to see it happen again. Not surprisingly, I often run into other photographers and friends with the same idea so it becomes a bit of a social gathering as well.
The first image shows the Moon having just risen into the left gap. The second image is a crop and closeup of the Moon. The third was taken several minutes later after adjusting my position a bit to capture the Moon in the middle gap. A couple can be seen in silhouette gazing at the rising Moon.
Finally, there was a transit of the International Space Station (ISS) and the resupply ship OA-9 Cygnus—both moving near the North Star. The transit is a 5-minute sequence of images while the star trails is a 30-minute sequence. The second image shows the bright ISS with the faint OA-9 Cygnus following behind. A day later, the OA-9 docked with the ISS.